AVATAR reflects the hype of slipping into digital personalities in virtual spaces, which often reflect our identity, our desires or even our fantasies. As digital representations, avatars offer projection surfaces for emotions such as joy, pride or dissatisfaction, which are both real and simulated. Thus, digital facades reflect complex human experiences and can both empower and alienate us.
AVATAR 1, 2023, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 6, 2024, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 7, 2024, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 2, 2023, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 8, 2024, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 9, 2024, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 3, 2023, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 10, 2024, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 11, 2024, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 4, 2023, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 12, 2024, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 13, 2024, Graphite and acrylic on paper, 56 x 42 cm | Phote: Fotopioniere Louis Nicéphore
AVATAR 5, 2023, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 14, 2024, Graphite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR 15, 2024, Grapite and acrylic on paper, 56 x 42 cm | Photo: Fotopioniere Louis Nicéphore
AVATAR reflects the hype of slipping into digital personalities in virtual spaces, which often reflect our identity, our desires or even our fantasies. As digital representations, avatars offer projection surfaces for emotions such as joy, pride or dissatisfaction, which are both real and simulated. Thus, digital facades reflect complex human experiences and can both empower and alienate us.